Showing posts with label Robert Downey Junior. Show all posts
Showing posts with label Robert Downey Junior. Show all posts

Sunday

Iron Man 2

★ ★ ★ ☆







I have to say right off the bat that I was not a big fan of the original Iron Man. It was similar to Christopher Nolan's Batman series, but lacked the depth. It was a beta version, at best. To my great surprise (and contrary to the critics), Iron Man 2 surpassed the original in every way imaginable. Not only was it more fun than the original, it was actually quite thought provoking. Though it doesn't delve into the deep philosophical territory of The Dark Knight, it deals with many of the same themes in a more accessible manner. I now see the Iron Man series as a complement to Nolan's Batman series, rather than an inferior competitor.







While the critics were generally positive towards Iron Man 2, they failed to acknowledge it as anything more than an adequate sequel. The sequel was more entertaining, and more insightful. The first installment dealt with the themes of vigilantism, and technological change, but not in a way that was particularly interesting. The second installment builds on both of these themes. While the first movie created the impression that Iron Man could keep the world secure, the second demonstrated the instability of this situation. The problem is that the world isn't static. Not only is Iron Man's technological supremacy fleeting, but he will not be around forever. The great strength of Iron Man 2 is that it is more than just a superhero movie: it is a statement about international relations, and security in general. What we witness is not merely a battle between good and evil, but a genuine arms race.






When critics chided the plot for being "clunky," or "confused," they failed to appreciate this central point: real life is messier than Hollywood fairy tales. The introduction of multiple new characters--many of ambiguous significance--accentuated this point. There is a great deal of uncertainty right up until the end. Who are the real players? Is Iron Man the earth's savior, or is he merely a puppet of SHIELD? And what about Vanko? Is he the most significant villain, or is was he merely the first to put a dent in Iron Man? This made the movie interesting, not muddled.


The critics were right about a couple of things. First, there was no major climactic battle scene. I agree that this was the case, but it is partly related to my previous point. It's hard to have a climactic scene when you don't even really know who the players are. The second thing they pointed out was that the sequel had a much more light hearted tone. Most of them were happy with this. Frankly, so was I. The series was never meant to have the same gravitas as the Batman series, and trying to create that tone would likely have backfired (as it usually does with comic book movies). Injecting some humour into the movie was the right way to go. This suited Robert Downey Junior just fine. I don't personally know RDJ, but Tony Stark was an uncanny portrayal of RDJ's public persona. He not only fit the role, but he genuinely seemed to enjoy himself. While this role didn't approach his masterful portrayal of Sherlock Holmes, it was definitely another home run for RDJ.






Aside from Downey, there were plenty of great casting decisions. Sam Rockwell played a great counterpart to RDJ. While his character evolved dramatically, it never felt contrived. He seemed to grow right into the role. Mickey Rourke was predictably solid, and Samuel Jackson was well cast. My only casting complaint is Scarlett Johansson. I've never found her to be particularly talented, so I assume that she gets her parts based on her appearance. Frankly, there are much more talented actresses who happen to be more attractive. It's no coincidence that the worst scene in the movie was the one where she played the largest role.

Jon Favreau deserves some serious credit. He has created a comic book movie that is both fun, and though provoking. This is a rare, if not unique achievement. He may not be Christopher Nolan, but he sure knows how to entertain an audience.

Monday

Sherlock Holmes (2009)

★ ★ ★ ★



The redemption of Anthony Peckham came swift and mercilessly. A few weeks ago I derided the screenwriter for his mind numbingly dull portrayal of Nelson Mandela. While the screenplay for Sherlock Holmes was a collaborative effort, it has certainly ameliorated my opinion of the man. Guy Ritchie has finally established himself as one of the premier contemporary directors. His films never lack in style, but for once that style is matched by its substance.

Though purists have derided the film from departing from the original stories, this departure was well worthwhile. Robert Downey Junior's Holmes does not resemble the stolid Victorian Holmes of Arthur Conan Doyle. I've never quite been able to drag myself through his stories, yet I was on the edge of my seat for the entire film. Downey and Jude Law made one of the best on screen partnerships in recent memory. Like Holmes and Watson, Downey and Law were mutually complementary. Even in the darkest moments, neither let the other take himself too seriously.





This was by far the best depiction of 19th Century London yet created. Rather than the putrid industrial wasteland that is typically portrayed, Richie's London was a somewhat hopeful place. The rapid development of the city is embodied in the nascent Westminster Bridge, which made for a clever backdrop. As the film progresses, we can feel the gradual triumph of science and industry over the forces of superstition and titular rule. In contrast to most films in this period, progress was not greeted with lamentations.

The rebirth of Sherlock Holmes is even more stunning than that of Batman. At best, I imagined this would have been comparable to the original Indiana Jones movies. The result far exceeded my expectations. The blend of action, comedy, and intrigue made this the most enjoyable movie of the year. I'd go so far as to say that it rivals The Dark Knight as the most enjoyable film experience of the decade.